Showing posts with label identity. Show all posts
Showing posts with label identity. Show all posts

Monday, 27 July 2009

CFP: Music, Identity and Social Interaction (Royal Northern College of Music, Manchester)

MUSIC, IDENTITY, AND SOCIAL INTERACTION
ROYAL NORTHERN COLLEGE OF MUSIC, MANCHESTER UK
2 - 3 FEBRUARY 2010
CONFERENCE ANNOUNCEMENT AND CALL FOR PAPERS

Keynote speakers:
Professor Tia DeNora (University of Exeter, UK)
Professor Raymond MacDonald (Glasgow Caledonian University, UK)

This international conference focuses on the construction of musical identities through spoken interaction. Empirical and theoretical research on music and identity construction, using a variety of qualitative methods, will be considered. In addition, methodological papers that discuss the collection and analysis of talk in a variety of musical contexts are welcome (e.g., interview, focus group, and naturally occurring data, and thematic analysis, grounded theory, discourse analysis, interpretative phenomenological analysis, conversation analysis etc.).

Papers reporting empirical research should present unpublished data from recent studies; abstracts reporting incomplete studies may be submitted provided analyses are complete by the time they are presented at the conference itself. Oral and poster presentations will be considered. Each oral presentation will last 25 minutes (not including questions).

Abstracts of 200-300 words should be sent to Antonia Ivaldi by 1st October, 2009. One side of A4 should be submitted that includes: (1) title, (2) author name, institution and contact details (which will be removed for blind peer-review), (3) type of presentation (oral or poster), and (4) abstract (to include background, method, results and discussion, and conclusion for empirical papers).

Scientific committee
Prof Jane Davidson (UNIVERSITY OF WESTERN AUSTRALIA/UNIVERSITY OF SHEFFIELD, UK)
Dr Mike Forrester (UNIVERSITY OF KENT, UK)
Dr Jane Ginsborg (ROYAL NORTHERN COLLEGE OF MUSIC, UK)
Dr Terrence Hays (UNIVERSITY OF NEW ENGLAND, AUSTRALIA)
Dr Antonia Ivaldi (ROYAL NORTHERN COLLEGE OF MUSIC, UK)
Prof Dorothy Miell (OPEN UNIVERSITY, UK)
Dr Susan O’Neill (UNIVERSITY OF WESTERN ONTARIO, CANADA)
Dr Clemens Wöllner (ROYAL NORTHERN COLLEGE OF MUSIC, UK)

Important dates:
1st October 2009 – Abstract submission deadline
23rd November 2009 – Notification of acceptance
1st December 2009 – Registration opens

Details regarding registration are to come. For enquiries, please contact: Antonia Ivaldi (Antonia.Ivaldi [at] rncm.ac.uk)

We look forward to receiving your abstracts, and to welcoming you to Manchester.

Conference committee:
Dr Antonia Ivaldi (Chair) (RNCM)
Dr Jane Ginsborg (RNCM)
Dr Clemens Wöllner (RNCM)

Tuesday, 26 May 2009

CFP: 20th Century Music and Politics (University of Bristol)

TWENTIETH-CENTURY MUSIC AND POLITICS
DEPARTMENT OF MUSIC, UNIVERISTY OF BRISTOL
14 - 16 APRIL 2010
CALL FOR PAPERS

Abstracts are invited for this three-day conference on 20th-century music and politics. Papers are welcome on all musics and all geographical areas. Current panel themes include: concert life and repertoire; emigration and musical identity; music as propaganda; wartime politics in Europe and America; music in totalitarian regimes. 

Please send abstracts of no more than 400 words to: Pauline.Fairclough at bristol.ac.uk 

The deadline for receipt of abstracts is 1 September 2009.

Thursday, 26 March 2009

King's College London Summer School

KING'S COLLEGE LONDON SUMMER SCHOOL
KING'S COLLEGE, LONDON
6 - 24 JULY 2009 AND 27 JULY - 14 AUGUST 2009

We invite students and others who want to learn from all over the world to join King's for our university summer school. This year our programme of study includes two university-level courses in music with outstanding, research-based teaching and the added experience of world-class cultural institutions in London.

The courses offer a high quality intensive learning experience. Visits to London's concert and opera venues, libraries and archives, and interviews with leading artistic directors and management (subject to course) are integrated into the study programme.

July, 6th - 24th: royals and royalties: MUSIC AND SPECTACLE IN LONDON

http://www.blogger.com/www.kcl.ac.uk/schools/summerschool/arts/prospectus/session1/musicroyals.html

July, 27th – Aug, 14th: BBC PROMENADE CONCERTS: MUSIC, MEDIA AND CULTURAL IDENTITY

http://www.blogger.com/www.kcl.ac.uk/schools/summerschool/arts/prospectus/session2/proms.html

Course Leader: Dr. Wiebke Thormählen PhD (Cornell University), MMus (KCL)

Courses will be available for credit, subject to the agreement of your home university.

For general enquiries or to see a syllabus, please contact: summerschool at kcl.ac.uk

Monday, 9 March 2009

CFP: Mediating Jazz (University of Salford)

MEDIATING JAZZ
UNIVERSITY OF SALFORD
26 - 27 NOVEMBER 2009
CALL FOR PAPERS


An international conference hosted by the Popular Music Research Centre, University of Salford.

Keynote Speaker: Professor Krin Gabbard (SUNY), author of Hotter Than That: The Trumpet, Jazz, and American Culture, Black Magic: White Hollywood and African American Culture, and Jammin’ at the Margins: Jazz and the American Cinema

Mediating Jazz is a two-day multi-disciplinary conference that brings together the leading researchers in the field of New Jazz Studies. The conference itself will comprise four key strands, each of which addresses the overarching theme of mediation in jazz:

1. Jazz and the Media
We wish to explore the way in which media representation impacts on jazz discourse. The review panel will welcome papers that examine the way in which jazz is represented through various media from Hollywood film to television documentary, sleeve notes to journalism.

2. Performance and the Body
Musicians often promote the performance of jazz as an unmediated experience. We invite papers that interrogate this assumption, exploring the relationship between performance and different types of mediation. This could include discussions of jazz as a transcendent art or a gendered
construct, as well as examining the mythologies of improvisation, musicianship and the ‘jazz life’, and the codification of performance practice.

3. Politics and Identity
Within the jazz mainstream, the radical politics of the 1960s has arguably been replaced with a sense of homogenised culture, devoid of explicit race and class issues. This strand explores the role mediation plays in the growth and development of identities alongside the promotion/subversion of political messages.

4. Jazz Cultures and Narratives
This strand explores jazz as both narrative trope and changing cultural signifier. We welcome papers that explore the concept of jazz from a range of disciplinary perspectives, encouraging a discursive approach to the cultural study of jazz.

Abstracts of no more than 300 words should be submitted to Dr Tony Whyton
(t.whyton@salford.ac.uk) by Wednesday 27 May 2009.

Review panel: Dr Tony Whyton (Salford), Dr Nicholas Gebhardt (Lancaster), Dr Catherine Tackley (Open University) and Professor George McKay (Salford)

Tuesday, 21 October 2008

Exploring National Identity in Music: Postgraduate Study Day (Goldsmiths)

POSTGRADUATE STUDY DAY
GOLDSMITHS COLLEGE, UNIVERSITY OF LONDON
8 NOVEMBER 2008


The theme of the day is Exploring National Identity
in Music, and speakers will present a wide range of approaches to the topic.

The study day will take place from 10.00-17.00 in the Small Hall/Cinema in the Richard Hoggart Building, Goldsmiths College. For details of how to get to Goldsmiths, please see http://www.gold.ac.uk/find-us/. Posters will direct you from the main entrance to the Small Hall.

There is no fee for the day. Please email j.brand@gold.ac.uk if you plan to attend.

Keynote speaker: Dr Barbara Eichner.

For full details of the programme for the day, please see http://www.gold.ac.uk/calendar/?id=2466

You can also check out the event listing on Facebook
http://www.facebook.com/home.php?ref=home#/event.php?eid=31969668510&ref=mf

For further information please contact conference organiser Jenny Brand (j.brand@gold.ac.uk)
 
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