Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

Tuesday, 16 June 2009

PhD Studentship: Methods and Influence of the Folk organisation Folkworks (Newcastle University)

PHD STUDENTSHIP: METHODS AND INFLUENCE OF THE FOLK MUSIC ORGANISATION FOLKWORKS
NEWCASTLE UNIVERSITY / THE SAGE GATESHEAD
DEADLINE: 26 JUNE 2009

The International Centre for Music Studies at Newcastle University, in partnership with The Sage Gateshead, is pleased to announce that it has been awarded a PhD studentship as part of the Arts and Humanities Research Council of Great Britain's Collaborative Doctoral Awards scheme. We are seeking to award a fully-funded three-year studentship, commencing 21 September 2009, to research the methods and influence of the folk music organisation Folkworks. Further details are given below.

Supervisors: Dr Vic Gammon, Dr Felicity Laurence, Mr Alistair Anderson School: International Centre for Music Studies (School of Arts and Cultures) in collaboration with The Sage Gateshead Funded by: AHRC

Since 2000 Folkworks has been integrated into The Sage Gateshead. It has established a national reputation for the promotion of folk and traditional music through its educational work and through presenting some of the world's best traditional musicians in concerts, tours and festival events. The aim of this project is to investigate the innovative character of Folkworks and evaluate its practices and success factors.

The main areas of research will be:
*The development of Folkworks and other folk music development agencies in other countries, for example Ireland and Scotland.

*The characteristic forms of learning and participation in Folkworks' activities including the relationships of aurality and literacy in learning and transmission and compare these, in a historically-informed way, with learning and transmission in older traditional forms of music-making.

*The adaptation of Folkworks' learning and participation methods to meet the needs of different client groups, for example children, undergraduates and adult amateurs.

*The characteristics of Folkworks' tutors' interactional styles, their approach to accommodating different forms and degrees of musical competence within the same workshop and the social situations created in group sessions.

*The organisational culture of Folkworks both before and after its integration into The Sage Gateshead. This will include looking at future developments and considering the future of the philosophy and practices created through Folkworks in view of generational changes of personnel and organisational structure.

PERSON SPECIFICATION
Candidates should have, or expect to achieve, a good Honours degree (minimum upper-second-class Honours) in music. You must have either an exceptional proven knowledge and ability in the field of folk and traditional music and a demonstrable aptitude for work in the area of pedagogical studies or an MA or MMus in music. This project may well suit someone who is an educator in the field and wants to develop research in this area.

An essential part of this project is being a participant-observer alongside The Sage Gateshead's staff on Folkworks projects so candidates must be practitioners in folk and traditional music.

VALUE OF THE AWARD AND ELIBILITY
Depending on how you meet the AHRC's eligibility criteria, you may receive a full or partial award. A full award covers tuition fees and an annual stipend of £14,440 (includes the AHRC stipend and an additional payment from The SAgE Gateshead). A partial award covers tuition fees only.

HOW TO APPLY
You must complete the University's postgraduate application form (www.ncl.ac.uk/postgraduate/apply/applicationforms),selecting 'PhD School of Arts and Cultures (full time) - Music' as the programme of study and inserting the reference number SAC01. Your application should include a CV, covering letter and the contact
details of two academic referees. The covering letter (no more than one side of A4), must state the title of the studentship, quote the reference number SAC01 and state how your interests and experience relate to the project.

You should also send your CV, covering letter, and the names and addresses of two referees as email attachments to Jane Hagger, jane.hagger@ncl.ac.uk

Closing date for applications: Friday 26 June 2009
We intend to hold interviews on Tuesday 14 July. If you are unable to attend on this date please indicate this on your application.

Further Information: Informal enquires can be made via email to Dr Vic Gammon, vic.gammon@ncl.ac.uk

Thursday, 5 March 2009

CFP: Music, Plantation and Migration International Symposium (Dublin)

MUSIC, PLANTATION AND MIGRATION
INTERDISCIPLINARY SYMPOSIUM
DIT, DUBLIN, IRELAND
25 APRIL 2009
CALL FOR PAPERS


DIT Conservatory of Music and Drama in association with The Department of Music, NUI Maynooth, UCD Mícheál Ó Cléirigh Institute and The Society for Musicology in Ireland

The legislation which resulted in the plantation of Ulster was passed in 1609 and this important event in Irish history is being marked by an exploration of the exchange of music and musicians between Ireland and Britain in the period 1600–1750 and how the story of plantation and migration has been recorded in Irish traditional music of this time and later periods.

The symposium will be held in DIT Kevin Street on Saturday 25 April 2009 and will be followed by the launch of the tenth volume of Irish Musical Studies: Music, Ireland and the Seventeenth Century (Barra Boydell & Kerry Houston editors).

We invite papers from writers reflecting on topics including:

• Irish and English musical culture of the time (including music at the Court of James I)
• Musical and cultural exchanges between Ireland and Scotland
• The recording of the events of plantation and migration in Irish traditional music
• The aftermath of the Plantation of Ulster and its impact on the musical and cultural life of seventeenth- and eighteenth-century Ireland
• Sacred music in Ireland and Scotland in the seventeenth and eighteenth centuries

Abstracts of around 300 words for papers of 20 minutes should be sent to Kerry Houston, DIT Conservatory of Music and Drama, Rathmines Road, Dublin 6 (kerry..houston@dit.ie) by Wednesday 11 March 2009. We will consider group proposals and lecture recital proposals.

Symposium committee: Barra Boydell (NUIM), David Connolly (DIT), Marian Deasy (DIT), Kerry Houston (DIT), Helen Lyons (DKIT/UCD), Adrian Scahill (NUIM) and Eamon Sweeney (DIT).

Tuesday, 24 February 2009

CFP: Musica Scotica 2009 (RSAMD, Glasgow)

MUSICA SCOTICA 2009
ROYAL SCOTTISH ACADEMY OF MUSIC AND DRAMA, GLASGOW
26 APRIL 2009
CALL FOR PAPERS


Musica Scotica 2009 will take place on Saturday 25th April 2009 from 10am - 6pm in the Royal Scottish Academy of Music and Drama, Glasgow.* At previous meetings papers have been given on a wide variety of topics, ranging from chant to James MacMillan, and fiddle manuscripts to bagpipe music. We look forward to another successful day, bringing together researchers working in different areas of Scottish music.

The registration form is now available on the Musica Scotica website.
http://www.musicascotica.org.uk/news.htm

Abstracts of no more than 250 words are invited for 20 minute papers.
They should be sent to Professor Graham Hair (conference2009@musicascotica.org.uk) no later than 28 February 2009.

All general enquiries should be sent to me, Jane Mallinson, at this e-mail address: MusicaScotica2008@yahoo.co.uk (yes MusicaScotica2008 is correct!).

Dr Jane Mallinson
15 Rowallan Gardens
Glasgow
G11 7LH

*The RSAMD is situated at the corner of Hope Street and Renfrew Street, which runs parallel to Glasgow's famous Sauchiehall Street. It is a 10-15 minutes walk from Glasgow's two main train stations, Queen Street and Glasgow Central. The RSAMD is easily accessible from all major approach roads and Glasgow International Airport is a 20 minute journey by taxi or bus.
 
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