Showing posts with label perception. Show all posts
Showing posts with label perception. Show all posts

Tuesday, 9 June 2009

CFP: Workshop on Machine Learning and Music (Slovenia)

WORKSHOP ON MACHINE LEARNING AND MUSIC
ECML/PKDD-09 EUROPEAN CONFERENCE ON MACHINE LEARNING AND PRINCIPLES AND PRACTICE OF KNOWLEDGE DISCOVERY IN DATABASES
BLED, SLOVENIA
7 - 11 SEPTEMBER 2009
CALL FOR PAPERS

This conference is taking place on September 7, 2009, as part of ECML/PKDD-09, European Conference on Machine Learning and Principles and Practice of Knowledge Discovery in Databases

Research on machine learning and music is gaining increasing popularity due to the rapid expansion of music in audio formats, increasing availability of social music tagging data, and the ongoing musicological interest in mining of symbolic music data. As complexity of the problems investigated by researchers on this area increases, there is a need to develop new algorithms and methods to solve these problems. Machine learning has proved to provide efficient solutions to many music-related problems. The goal of MML 2008 is to bring together researchers who are using machine learning in musical applications, providing the opportunity to promote, present and discuss ongoing work in the area. The workshop is planned to last one full day, and will feature paper presentations, panel discussions and open discussions.

We invite contributions describing machine learning approaches to music processing including, but not limited to:

Sound synthesis and analysis
Pattern discovery in music
Computational musicology
Folk song analysis and classification
Music genre classification
Music analysis
Music Information Retrieval
Knowledge Representation and Computational Models
Psychoacoustics and Music Perception
Cognitive Modeling
Adaptive Systems and Music Education
Algorithmic Composition
Interactive Performance Systems
Digital Audio Signal Processing

Submissions:
Papers of 4-6 printed pages must be in English and must be formatted according to the Springer-Verlag Lecture Notes in Artificial Intelligence guidelines. Authors instructions and style files can be found in the workshop webpage. Papers should include author names, affiliations, contact information, and an abstract of 70-120 words. Papers will be reviewed by at least two members of the Workshop Committee. Contributions should be in PDF format and submitted to the workshop email address mml@iua.upf.edu.

Dates:
Submission deadline: June 14, 2009.
Acceptance notification: June 30, 2009.
Final versions due: July 8, 2009.
Workshop: September 7, 2009.

Organizing Committee:
Rafael Ramirez (Universitat Pompeu Fabra, Spain)
Darrell Conklin (City University London, UK)
Christina Anagnostopoulou (University of Athens, Greece)
José Manuel Iñesta (Alicante University, Spain)

MML09 webpage

Tuesday, 2 June 2009

CFP: 2nd Intl Conf on Music Communication Science (Sydney)

2nd INTERNATIONAL CONFERENCE ON MUSIC COMMUNICATION SCIENCE (ICoMCS2)
SYDNEY, AUSTRALIA
3 - 4 DECEMBER 2009
CALL FOR PAPERS

http://marcs.uws.edu.au/links/ICoMusic09/index.html

The 2nd International Conference on Music Communication Science (ICoMCS2) will bring together people interested in an interdisciplinary understanding or application of music cognition, perception, action, performance, and communication. ICoMCS2 follows the successful inaugural conference held in 2007 (http://marcs.uws.edu.au/links/ICoMusic/program.html) and is organised jointly by the Australian Music & Psychology Society (AMPS http://marcs.uws.edu.au/links/amps/index.htm) and HCSNet the ARC Network in Human Communication Science (http://www.hcsnet.edu.au).

ICoMCS2 will be held in Sydney during the week-long HCSNet SummerFest (http://www.hcsnet.edu.au/summerfest09) with HCSNet summer school courses linked to ICoMCS2.

ICoMCS2 will attract people from all walks of research and performance life, including musicologists, psychologists, educators, linguists, ethnomusicologists, composers, engineers, computer scientists, speech scientists, physicists, philosophers and performance artists.

Papers reporting research concerning music communication in its various forms are invited. Broad topic areas include music performance, music perception, music cognition, intermodal processes, music information retrieval, audio-visual search and retrieval, music and language, evolutionary accounts of music and speech, generative systems, amusia, dystonia, music education, ethnomusicology, music therapy, sonification, spatialization and 3D audio, musical interfaces, digital media, interactive arts, psychophysics, and psychoacoustics.

We also encourage submissions for performance and installation sessions. Ensembles and individuals with performance programs of less than 10 minutes are invited to submit an abstract or full paper of their work.

Submissions will be accepted in two streams. You may submit either a full (four page) paper or an abstract of a paper for presentation. Full papers will be reviewed by the international scientific program committee and clearly identified separately in the conference proceedings. Papers and symposium proposals with an interdisciplinary theme are welcome; papers from
student researchers are strongly encouraged.

ICoMCS2 IMPORTANT DATES 2009
Monday, July 13: Submission of abstract, symposium proposal or full paper for review
Monday, August 24: Notification of Acceptance
Monday, September 21: Registrations open, camera ready versions (for full papers) due
Mon-Fri 30 Nov-4 Dec: HCSNet SummerFest including Summer Schools
Thurs-Fri 3-4 Dec: ICoMCS2 (during HCSNet SummerFest)

CONFERENCE LOCATION
The conference will be held at the Kensington campus of the University of New South Wales in Sydney, Australia() during the southern
summer from Thursday 3 to Friday 4 December 2009.

WEB SITE
For all information relating to the conference, including details of
submission formats, go to the ICoMCS2 web site
http://marcs.uws.edu.au/links/ICoMusic09/index.html.

We hope to see you at ICoMCS2 December 3-4 in Sydney! Best wishes,

Kate Stevens, Emery Schubert, and the ICoMCS2 Organising Committee

Thursday, 4 December 2008

International Symposium: Signalling Sound (Upcoming conference, Warwick)

INTERNATIONAL SYMPOSIUM, 'SIGNALLING SOUND'
UNIVERSITY OF WARWICK
7 MARCH 2009

This symposium will draw together for the first time leading international researchers from a variety of different backgrounds currently working in the areas of hearing science and musicology to explore the relationship between neurological aspects of auditory perception and historical music creativity. The purpose is to discuss how new developments in the aural cognitive sciences will lead to deeper understanding of past and present technical and aesthetic practices of music listening and production, and the way in which music history (aesthetics and theory) mirrors current thinking in the acoustical cognitive sciences.

Convenor: Dr Ingrid J. Sykes

Speakers include:
Daniel Pressnitzer (Keynote), Ecole Normale Supérieure, Paris, France
Professor Katherine Bergeron, Brown University, USA
Professor Brian Hyer, University of Wisconsin-Madison, USA
Professor Reinhart Meyer-Kalkus, WIKO, Universität Potsdam, Germany
Professor Joseph Butch Rovan, Brown University, USA

Sponsored by the Wellcome Trust
For information: Ingrid.Sykes@warwick.ac.uk 

 
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