CFP: Music, Law and Business (Helsinki)

MUSIC, LAW AND BUSINESS
IASPM-NORDEN 2010 CONFERENCE, HELSINKI
24 - 27 NOVEMBER 2010
CALL FOR PAPERS

The field of music production is in a state of uncertainty, if not even in an outright crisis of reproduction. Because of recent and relatively rapid changes in communication technology, old conglomerate models and structures of production, dissemination and consumption of music are arguably subject to change. This has also created pressure towards legislative changes, especially in relation to copyright issues. In general, the increased importance of immaterial property rights, as opposed to selling physical records, has been acknowledged within the music industries.

In order to address these shifting conditions of music production and consumption, IASPM-Norden (the Nordic Branch of the International Association for the Study of Popular Music; http://iaspmnorden.wordpress.com/) invites scholars and other interested parties to share their ideas in the "Music, Law and Business" conference. The aim of the conference is to provide a forum in which industry professionals, officials, scholars and other agents can engage in a mutually beneficiary dialogue. The goal is furthermore explicitly multidisciplinary, as the purpose is to bring together experts not only from the conventional areas of music research dominated by humanities and social sciences but also from economics and legal studies.

The programme of the conference consists of keynote lectures, plenary roundtables, thematic workshops, individual presentations and poster presentations. Individual presentations and entire workshops may be built for example on the following topics:

• music and global/national/regional economy
• export ventures of music
• economic dimensions of music copyright, including sampling and licensing
• synergy/cross‐marketing
• economic impacts of music technology
• restructuring of music industry
• music cluster in terms of economy and legal issues
• music and market censorship
• music and public subvention
• music and fair use
• music piracy
• legal and economic ethics of music
• musical expression, genres and styles in terms of law and business
• the aesthetic and legal criteria of musical works
• the impact of fan communities and social media
• legal and economic implications of music education

Proposals for presentations (20 mins) or workshops (90 mins) should be sent to the conference organisers no later than 15 December 2009, preferably as an email attachment (rtf/pdf/doc) to iaspmnorden [at] gmail.com. The proposal should include the following information:

Title
Presenter(s)
Institution(s)
Email
Summary (200 words, explicating the background, approach and central arguments)
Keywords (max. five)
Technical equipment required (PC/DVD/CD/data projector/over-head projector/etc.)

Please label your attachment with your last name and first initial (eg. beathoven-l.rtf), not the title.

The official language of the conference is English. Notifications of acceptance will be sent no later than 15 January 2010.

Confirmed guest speakers of the conference include Adj.Prof. Tarja Rautiainen-Keskustalo (Department of Music Anthropology, University of Tampere, Finland) and Dr Patrik Wikström (Media Management and Transformation Centre, Jönköping International Business School, Sweden).

The conference is organized by the Nordic Branch of the International Association for the Study of Popular Music with the Finnish Society for Ethnomusicology, University of Helsinki (Musicology), Aalto University (School of Economics/Best Practices of Globalization in Finnish Rock Exports research project), Sibelius Academy and Music Export Finland, in co-operation with the IPR University Center, International Institute of Popular Culture and Statistics Finland.

Should you need more information about the conference, please visit IASPM-Norden website (http://iaspmnorden.wordpress.com/) or contact IASPM-Norden chair Antti-Ville Kärjä personally (avkarj@utu.fi).

Flickr, Creative Commons and Copyright 2.0

Flickr is a fabulous resource. Not only can you share your photos with others, it serves as a large repository for stock photos which can be used for academic presentations, etc. In terms of licensed academic resources there is ArtStor, but having digested the license for ease of re-use, 2 words come to mind: not friendly. There are other sites which have stock photos (Phil Bradley has a summary of these.) I've experimented with a bunch of these sites testing keywords and usability and range of stock and bookmarked my favourites under the 'stock_photos' tag in my Delicious feed.

In particular, Flickr epitomises the spirit of Web 2.0 and how copyright (and inherent intellectual property) has evolved for the web. In addition to social networking by sharing your creative ideas, endeavours, Flickr also allows you to share your content with as many or as few restrictions as possible via a Creative Commons license. (Another aspect of Web 2.0 is that you can follow the addition of new content and developments uploaded (by individual) via RSS feeds at the bottom of that individual's page.)

From the main page (above) click on search, then click through to the Advanced search button.

Scroll on down until you see the following filters:

From this point, you can restrict your search to photos whose owners will allow re-use or adaptability of content (most just asking for a citation back to the original on Flickr), some allowing adaptability but for non-commercial purposes. It is this variance which allows a Creative Commons license to sit in the middle of a continuum ranging from copyright (where permission must be sought for any modifications) to public domain (do with it what you will).

From www.creativecommons.org

At a time when MEPs are debating extension to existing copyright laws, creativity in this new medium will be stifled as the editors of the Guardian eloquently put yesterday in their tribute to Creative Commons co-founder Lawrence Lessig.

"[Lessig] regards extension of copyright as anathema to the YouTube generation and a brake on economic growth. He also thinks it is against the US constitution, which states that copyright should be "limited". The original limit has been extended from 14 to 70 years after the death of the creator, and Prof Lessig points out that one of the main corporations that lobbied for this, Disney, cut its creative teeth by raiding the public domain for works from Snow White to the Hunchback of Notre Dame. If the current term for copyright had existed then, it might have suffocated Mickey Mouse at birth." http://www.guardian.co.uk/commentisfree/2008/oct/22/intellectualproperty-copyright

Speaking of Disney, it is only apropos that I highlight the following Youtube clip which covers issues of copyright, in particular, the fair use (US) / fair dealing (UK) doctrine using snippets of Disney's own cartoon characters.

Whilst this clip is very entertaining and outlines the general principle of fair use, there are some differences with fair dealing (UK) albeit both operate from a common ideology which balances the market value (i.e. what an author could potentially lose) against a reasonable amount of time for the author to enjoy those royalties. (To this end, I think it's about time Steamboat Willie passed into public domain! I'm not including the famous Mickey Mouse clip which first synchronised sound with animation in this posting but here is the link to the 1928 clip.) To learn a bit more about Creative Commons licensing and how you can use it and adapt materials for your research, this clip is a nice introduction. (Because it is hosted on Revver, small annoying text ads appear like super-titles, once they appear they can be immediately minimised which I HIGHLY recommend!)

With all of the discussion on copyright I would be remiss if I did not mention Eduserv's new Copyright Tutorial which was brought to my attention in a recent posting by Sheila Webber. Although I am not a (big) fan of Eduserv, I give credit where credit is due and they've done a good job here. The Copyright Toolkit (http://www.copyrighttoolkit.com/) is a good resource with a UK focus for those wishing to ensure compliance. It has exercises to work through different scenarios and will serve as a nice reference as it contains relevant bits of case law to illustrate their points.