Showing posts with label Russia. Show all posts
Showing posts with label Russia. Show all posts

Monday, 21 June 2010

CFP: Music in Russia and the Soviet Union: Reappraisal and Rediscovery (University of Durham)

MUSIC IN RUSSIA AND THE SOVIET UNION: REAPPRAISAL AND REDISCOVERY
UNIVERSITY OF DURHAM, ENGLAND
11 - 14 JULY 2011
CALL FOR PAPERS

Keynote speakers: Marina Rakhmanova (Glinka Museum, Moscow), Marina Frolova-Walker (University of Cambridge), Richard Taruskin (UC, Berkeley)

Building on the important work previously carried out by Soviet and Western researchers, recent publications ¬ many of them drawing on archival materials that remained inaccessible until glasnost’ and perestroika ¬ have profoundly enriched our understanding of Russia’s rich musical culture. Whether offering fresh perspectives on the careers and creative achievements of prominent composers and performers, examining the role and development of key cultural institutions, shedding light on previously neglected periods and repertoires, or advocating new critical approaches and methodologies (often in dialogue with other disciplines), the study of Russian music has come to occupy a more prominent place within Western musicology as a whole.

The present conference aims to provide an opportunity to take stock of the current state of our knowledge of Russian music (in both Russia itself and in the West) and to bring into clearer focus those areas in which it is very incomplete, as well as reflect on the dominant issues that have emerged. It is intentionally broad in scope to enable the representation of widest possible range of research interests. Proposals are invited for individual papers, lecture-recitals and panels on topics pertaining to Russian/Soviet music of all historical periods, including folk musics and popular musics. The conference committee is particularly interested in receiving paper proposals on subjects that have received little attention in English-language scholarship to date and which may have potentially significant implications for the development of the subject area.

All proposals should be submitted no later than Monday 6 December 2010 by email to Dr Patrick Zuk (patrick.zuk at durham.ac.uk), who will also be happy to assist with informal enquiries. The working languages of the conference will be English and Russian. For more detailed information, please visit http://www.dur.ac.uk/music/russianmusicconference2011.

Wednesday, 19 August 2009

CFP: 2010 IAML Conference (Moscow, Russia)

2010 IAML INTERNATIONAL CONFERENCE
MOSCOW, RUSSIA
27 JUNE - 2 JULY 2010
CALL FOR PAPERS


The International Association of Music Libraries, Archives, and Documentation Centres (IAML) will hold its annual conference 27 June-2 July 2010 in Moscow. The IAML Programme Committee invites proposals of papers for this meeting which concern music, collections, and/or library issues that focus on Russian libraries and collections, music, and publishers, although presentations of a general nature are also welcome. We strongly encourage the submission of papers that focus on popular or traditional music of all genres and periods and their impact on libraries.

The online submission form for proposals may be found at the following link:

http://www.iaml.info/activities/conferences/call_for_papers

Proposals must be submitted by 15 SEPTEMBER 2009 in order to be considered.

Friday, 31 July 2009

CFP: Russian Journal Music Scholarship (journal)

RUSSIAN JOURNAL PROBLEMY MUZYKAL'NOI NAUKI / MUSIC SCHOLARSHIP
CALL FOR PAPERS


A new Russian Journal Problemy Muzykal'noi Nauki/ Music Scholarship invites submissions to be published in one of the upcoming issues. We invite papers in the fields of ethnimusicology and folkloristics. Our journal is a biannual multilingual academic edition. We accept papers from well-established professionals in the field and from graduate students at the last stages of degree programs.

We are looking for shorter articles, 10 to 12 pages long, 14pt font and 1,5 interval. Musical examples and color illustrations must be at 600 dpi. We can publish articles in the original language and in Russian tanslation simultaneously. We also offer an opportunity to publish articles on line at our web site:

www.ufaart.ru/naukamuzykieng.htm

For submissions and questions, please use the folloing email address: solfeggio7 [AT]yahoo.com

Tuesday, 23 June 2009

CFP: N. A. Rimsky-Korsakov and his heritage in historical perspective (Russia)

N.A. RIMSKY-KORSAKOV AND HIS HERITAGE IN HISTORICAL PERSPECTIVE
ST. PETERSBURG, RUSSIA
19 - 20 MARCH 2010
CALL FOR PAPERS

The two-day international conference “N. A. Rimsky-Korsakov and his heritage in historical perspective” will take place in St Petersburg, at the Museum-flat of N. A. Rimsky-Korsakov, on March, 19–20 in 2010.

Working languages of the conference are Russian and English.

Please submit abstracts for papers of no less then 300 and no more than 500 words, which have to be sent by post, fax or e-mail.

The deadline for paper abstracts is 1 November 2009.

Papers and materials of the conference will be published in 2010. The notification of acceptance will be sent out at the end of December 2009 at the latest.

The museum-flat of Rimsky-Korsakov will not able to cover participants’ expenses.

For abstracts of papers and questions please contact:

N. A. Rimsky-Korsakov Museum-flat
Zagorodny pr., 28
Saint-Petersburg, Russia
191002
Tel.: 8 (812) 7133208
Fax: 8 (812) 7133208
Mob.: 8 911 7657640
E-mail to Lidia Ader – lidiader at gmail.com

Monday, 11 May 2009

CFP: Music Nationalism and Modernism in Russia and Eastern Euopre (Oxford University)

BASEES RUSSIAN AND EAST EUROPEAN MUSIC STUDY GROUP ANNUAL CONFERENCE
MUSIC NATIONALISM AND MODERNISM IN RUSSIA AND EASTERN EUROPE
OXFORD UNIVERSITY - FACULTY OF MUSIC (DENIS ARNOLD HALL)
17 OCTOBER 2009
CALL FOR PAPERS

Although nationalism and modernism have been loosely described as successive movements in musical history – the former linked to the concepts of tradition and national identity, the latter associated with cosmopolitanism and the ideal of progress – their relationship has been much more compound than chronological perspective suggests.

Some of the issues this conference wishes to examine are:
1) how musical nationalism and modernism have acted or have been perceived (by composers, critics and political authorities) as contrasting or complementary approaches in Russia and other East European countries
2) the interaction of nationalism and modernism in musical creation
3) the modernist underpinnings of some manifestations of musical nationalism
4) the impact of nationalism on certain expressions of musical modernism

Convenors: Katerina Levidou and Rosamund Bartlett.
Abstracts of no more than 400 words should be sent to reemstudygroup@googlemail.com by 31 May.
 
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