Showing posts with label Hanover. Show all posts
Showing posts with label Hanover. Show all posts

Friday, 10 April 2009

Ethnomusicological Research Today – An International Doctoral Workshop (Hanover)

ETHNOMUSICOLOGICAL RESEARCH TODAY - AN INTERNATIONAL DOCTORAL WORKSHOP
ETHNOMUSICOLOGY DEPARTMENT OF THE UNIVERSITY FOR MUSIC AND DRAMA, HANOVER, GERMANY
24 - 28 JUNE 2009
CALL FOR PAPERS

The Ethnomusicology Department of the University for Music and Drama at Hanover, Germany, is organising an international workshop for Ph.D. candidates in ethnomusicology and its sister disciplines. The workshop will be directed by Prof. Dr. Raimund Vogels (Hanover) and Prof. Dr. Philip V. Bohlman (Chicago/Hanover).

The aims of the workshop are to promote exchange on ethnomusicological Ph.D. projects throughout Europe and to further critical debate on recent research in the discipline. The first two days of the workshop (25 & 26 June) are devoted to the presentation of papers by the participants. The third day (27 June) will be devoted to critical discussion of recent ethnomusicological publications. Arrival will be on June 24th, departure on June 28th. The workshop language – presentations and discussion – will be English.

The organizers inivite applications from Ph.D. candidates researching their dissertations in ethnomusicology or one of its sister disciplines (e.g., musical anthropology). There are no restrictions concerning the current stage of Ph.D. research, the region of study, or the thematic focus. Participants are required to read the following publications selected for discussion by the time the workshop takes place:

* Nettl, Bruno: The Study of Ethnomusicology. Thirty-One Issues and Concepts.New Edition. Urbana, University of Illinois Press 2005.

* Stobart, Henry (Hg.): The New (Ethno)Musicologies.Lanham, Scarecrow Press 2008.

* Barz, Gregory, und Timothy Cooley (Hg.): Shadows in the Field. New Perspectives for Fieldwork in Ethnomusicology.Second Edition. New York, Oxford University Press 2008.

* Bohlman, Philip V.: World Music. A Very Short Introduction.Oxford, Oxford University Press 2002.

* Feld, Steven: Sound and Sentiment. Birds, Weeping, Poetics, and Song in Kaluli Expression.Philadelphia, University of Pennsylvania Press 1982.

* Stokes, Martin: The Arabesk Debate. Music and Musicians in Modern Turkey.Oxford, Oxford University Press 1992.

* Vogels, Raimund: The Big Drum was Beaten and the Force Moved East. Islamic Court Music in Northeast Nigeria.In Print. Manuscript will be sent to participants.

* Rommen, Timothy. „Mek Some Noise”. Gospel Music and the Ethics of Style in Trinidad.Berkeley, University of California Press 2007.

* Hahn, Tomie: Sensational Knowledge. Embodying Culture through Japanese Dance.Middletown, Wesleyan University Press 2007.

* Hesselink, Nathan: P’ungmul.. South Korean Drumming and Dance.Chicago, University of Chicago Press 2006..

The University for Music and Drama will cover room and board, and will attempt to contribute toward travel expenses if needed. Funding details will be negotiated
individually.

Ethnomusicology Ph.D. students interested in participating should send an abstract of 250 words, a CV, and a preliminary estimate of travel costs. The application deadline is 5 May 2009.

The number of participants is limited to sixteen. If you wish to take part in the workshop as an auditor without a presentation, you are welcome to do so, but are requested to notify the organizers by 5 May 2009. For auditors, travel, room, and board will be at their own expense.

Please forward this call to anyone interested and send your applications or any questions by e-mail to Kerstin Klenke:

Kerstin Klenke MA
University for Music and Drama
Emmichplatz 1
30175 Hanover
kerstin.klenke@hmt-hannover.de
Tel.: +49 (0)511 31007632
Fax: +49 (0)511 31007642

Prof. Dr. Raimund Vogels
University for Music and Drama Hanover
Emmichplatz 1
30175 Hanover
raimund.vogels@hmt-hannover.de
Tel.: +49 (0)511 31007631
Fax: +49 (0)511 31007642

Prof. Dr. Philip V. Bohlman
Department of Music
The University of Chicago
1010 E. 59th Street
Chicago, Illinois
60637
USA
boh6@uchicago.edu
Tel.: +1 (773)
702-0514
Fax: +1 (773) 753-0558

Wednesday, 22 October 2008

CFP: Postmodernism beyond the "Iron Curtain"

POSTMODERNISM BEYOND THE "IRON CURTAIN"
INTERNATIONAL SYMPOSIUM ON THE OCCASION OF ALFRED SCHNITTKE'S 75TH BIRTHDAY
HANOVER UNIVERSITY OF MUSIC AND DRAMA
20 - 22 NOVEMBER 2009 OR 27 - 29 NOVEMBER 2009
CALL FOR PAPERS


A co-operation between the Hanover University of Music and Drama, the German Alfred Schnittke Society (Hamburg) and the Society for Contemporary Music Hanover

In November 2009, on the occasion of Alfred Schnittke s 75th birthday, the University of Music and Drama Hanover (Germany) will host an international symposium on the emergence of postmodern tendencies in the former "Eastern Bloc" States. Within the context of Soviet musical history Alfred Schnittke plays a central role: his polystylistic idiom can be perceived as mirror of the Soviet reality, as well as of that of the 20th century in general. On the surface his technique seems to be an ideal implementation of postmodern ideas into music. It is to be questioned, however, to which extent it actually depends on these ideas, as Schnittke in the Soviet Union of the 1960s had to cope with completely different musico-aesthetic premises (Socialist Realism) than western composers. Furthermore, the symposium asks whether and how similar ideas permeate the composers repertoire in other countries beyond the Iron Curtain and which controversies this music has caused, especially in German-speaking countries.

The programme committee cordially invites scholars to submit 250-word abstracts for papers of 20 minutes, which are related to one or more of the following issues:

A. (Musical) postmodernism in East and West: basics, varieties, similarities
B. Schnittke s musical poetics: papers on single works and work groups
C. Reflections of Schnittke behind the Iron Curtain: perspectives on GDR, Poland, Hungary, Czechoslovakia, and other composers in the Soviet Union
D. Reception of Schnittke and his contemporaries in Germany (including GDR)

The deadline for the submission of abstracts (with CV) is November 30, 2008. Please send your abstract as a word document to the following e-mail addresses: stefan.weiss at hmt-hannover.de and AmreiFlechsig at web.de
 
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