Showing posts with label AHRC. Show all posts
Showing posts with label AHRC. Show all posts

Saturday, 24 April 2010

CFP: The Business of Live Music (University of Edinburgh)

THE BUSINESS OF LIVE MUSIC
UNIVERSITY OF EDINBURGH
31 MARCH - 1 APRIL 2011
CALL FOR PAPERS


A conference to mark the completion of the AHRC funded project

The Promotion of Live Music in the UK--an Historical, Cultural and Institutional Analysis

We invite papers on any aspect of the business of live music from any disciplinary perspective. Themes for discussion include the history of live music, promotion as a business, live music and the state, the value of live music, and the live musical experience. Papers on any kind of music are welcome, classical or popular, successful or obscure! Presentations will be limited to a maximum of 20 minutes and
proposals should be no more than 200 words.

For further information please contact Simon Frith (simon.frith[AT]ed.ac.uk) or Martin Cloonan (m.cloonan[AT]music.arts.ed.ac.uk)

Closing date for proposals: September 1 2010

Tuesday, 16 June 2009

PhD Studentship: Methods and Influence of the Folk organisation Folkworks (Newcastle University)

PHD STUDENTSHIP: METHODS AND INFLUENCE OF THE FOLK MUSIC ORGANISATION FOLKWORKS
NEWCASTLE UNIVERSITY / THE SAGE GATESHEAD
DEADLINE: 26 JUNE 2009

The International Centre for Music Studies at Newcastle University, in partnership with The Sage Gateshead, is pleased to announce that it has been awarded a PhD studentship as part of the Arts and Humanities Research Council of Great Britain's Collaborative Doctoral Awards scheme. We are seeking to award a fully-funded three-year studentship, commencing 21 September 2009, to research the methods and influence of the folk music organisation Folkworks. Further details are given below.

Supervisors: Dr Vic Gammon, Dr Felicity Laurence, Mr Alistair Anderson School: International Centre for Music Studies (School of Arts and Cultures) in collaboration with The Sage Gateshead Funded by: AHRC

Since 2000 Folkworks has been integrated into The Sage Gateshead. It has established a national reputation for the promotion of folk and traditional music through its educational work and through presenting some of the world's best traditional musicians in concerts, tours and festival events. The aim of this project is to investigate the innovative character of Folkworks and evaluate its practices and success factors.

The main areas of research will be:
*The development of Folkworks and other folk music development agencies in other countries, for example Ireland and Scotland.

*The characteristic forms of learning and participation in Folkworks' activities including the relationships of aurality and literacy in learning and transmission and compare these, in a historically-informed way, with learning and transmission in older traditional forms of music-making.

*The adaptation of Folkworks' learning and participation methods to meet the needs of different client groups, for example children, undergraduates and adult amateurs.

*The characteristics of Folkworks' tutors' interactional styles, their approach to accommodating different forms and degrees of musical competence within the same workshop and the social situations created in group sessions.

*The organisational culture of Folkworks both before and after its integration into The Sage Gateshead. This will include looking at future developments and considering the future of the philosophy and practices created through Folkworks in view of generational changes of personnel and organisational structure.

PERSON SPECIFICATION
Candidates should have, or expect to achieve, a good Honours degree (minimum upper-second-class Honours) in music. You must have either an exceptional proven knowledge and ability in the field of folk and traditional music and a demonstrable aptitude for work in the area of pedagogical studies or an MA or MMus in music. This project may well suit someone who is an educator in the field and wants to develop research in this area.

An essential part of this project is being a participant-observer alongside The Sage Gateshead's staff on Folkworks projects so candidates must be practitioners in folk and traditional music.

VALUE OF THE AWARD AND ELIBILITY
Depending on how you meet the AHRC's eligibility criteria, you may receive a full or partial award. A full award covers tuition fees and an annual stipend of £14,440 (includes the AHRC stipend and an additional payment from The SAgE Gateshead). A partial award covers tuition fees only.

HOW TO APPLY
You must complete the University's postgraduate application form (www.ncl.ac.uk/postgraduate/apply/applicationforms),selecting 'PhD School of Arts and Cultures (full time) - Music' as the programme of study and inserting the reference number SAC01. Your application should include a CV, covering letter and the contact
details of two academic referees. The covering letter (no more than one side of A4), must state the title of the studentship, quote the reference number SAC01 and state how your interests and experience relate to the project.

You should also send your CV, covering letter, and the names and addresses of two referees as email attachments to Jane Hagger, jane.hagger@ncl.ac.uk

Closing date for applications: Friday 26 June 2009
We intend to hold interviews on Tuesday 14 July. If you are unable to attend on this date please indicate this on your application.

Further Information: Informal enquires can be made via email to Dr Vic Gammon, vic.gammon@ncl.ac.uk

Saturday, 13 June 2009

AHRC PhD Studentship: Britten's Performance Annotations (Birmingham Conservatoire)

AHRC PHD STUDENTSHIP: BRITTEN'S PERFORMANCE ANNOTATIONS
BIRMINGHAM CONSERVATOIRE, BIRMINGHAM CITY UNIVERSITY
DEADLINE: 27 JUNE 2009

Full-time Studentships for Doctoral Study

The Research Department at Birmingham Conservatoire invites applications for the following three-year full-time PhD studentships, all fully funded at AHRC rates:

One Arts and Humanities Research Council (AHRC) funded Collaborative Award to study Benjamin Britten's Performance Annotations. This is a unique opportunity to undertake full-time doctoral study at Birmingham Conservatoire in collaboration with the Britten-Pears Library, Aldeburgh. Applicants should hold a relevant Master's degree (or be completing one this year) and be a skilled and experienced performer.

In addition, two PhD studentships are offered, commencing September 2009 or January 2010, in areas consonant with the research strategy at Birmingham Conservatoire. Areas of special relevance to our research include performance and technology, performance studies, specialist historical studies in 15th and early 16th-century music theory, Charpentier, Messiaen, film music and cognate studies.

Further details at www.conservatoire.bcu.ac.uk/research. Current part-time students
may apply for a two- or three-year full-time programme.

Birmingham Conservatoire has a very lively research department. Twenty per cent of its output was judged 'world leading' in the recent Research Assessment Exercise (RAE 2008). It has awarded PhDs since 1993 and has an excellent completion rate.

For further information regarding either award, please contact Liz Reeve, Research Administrator, Birmingham Conservatoire, Paradise Place, Birmingham B3 3HG, or email liz.reeve@bcu.ac.uk, indicating your intended programme of research.

Deadline for applications: 27 June 2009.

Friday, 1 May 2009

Post-doc Opportunity: Research Assistantship in Music Psychology (King's College London)

RESEARCH ASSISTANTSHIP IN MUSIC PSYCHOLOGY
KING'S COLLEGE LONDON
DEADLINE: 20 MAY 2009


Applications are invited for a three-year post-doctoral Research Assistantship in music psychology at King's College London. The project, which belongs within the AHRC Research Centre for Musical Performance as Creative Practice, will document through interviews, and analyse, performers' reported experiences of the way music ‘takes shape' and the ways in which a sense of shape influences detailed decision-making in performance.

Salary range: £25,623 - £33,432

Further details are available from
http://www.kcl.ac.uk/depsta/pertra/vacancy/external/pers_detail.php?jobindex=7806

Tuesday, 7 April 2009

AHRC Doctoral Award - (University of Southampton)

AHRC COLLABORATIVE DOCTORAL AWARD
UNIVERSITY OF SOUTHAMPTON: DEPARTMENT OF MUSIC

AHRC Collaborative Doctoral Award for the FICTOS (Franco-Italian Culture Transfer in Opera and Song, 1800-1850) in musicology, offered in conjunction with Opera Rara. This studentship will cover full fees for up to three years for a candidate proposing a dissertation in the field of Franco-Italian cultural transfer in nineteenth-century music. Home students will be eligible to receive a stipend of £12,940 p.a. for full-time study and £8,960 for part-time study (2008-2009 figures). Download the full details from
http://www.soton.ac.uk/music/postgrad/postgraduatestudentships.html
 
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